Praise for Ava Homa
Ava Homa is Canada’s exquisite answer to Raymond Carver. Homa announces new beginnings—less irony, more hope—and from a breathtakingly multicultural and international perspective. Readers will experience awe and beauty at the force of Homa’s art to convey female Iranian protagonists wholeheartedly grasping their lives. A taut and subtle plain-spokenness enlivens her writing, belying rich dramatic tensions that build just beneath the surface—which will surprise readers and then captivate them.
Ranging across regions, ethnicities, genders, sexualities and
political dispositions, Homa’s characters give us a prismatic portrait of Iran that resists both internal tyrannies and Western demonization. Her style is elegantly spare, gem-solid. This is a voice we all need to hear.
What makes these stories work is the simplicity and
directness of their telling. Homa suggests much and states little outright. Maybe this approach is, in fact, the true “echo from the other land” — Iran — in which much is unspoken and cannot be said, in which there’s no doubt a vocabulary of signs and signals and coded words with layers of meanings and suggestiveness. This elusive approach to storytelling is subtle and powerful, haunting the reader with the silence between the words.
Echoes from the Other Land is carefully crafted in a realist style but, when compared to homogenized portrayals of Iran in the western media, the reader’s experience more closely resembles the surreal. For a western reader the conflict of the real and the surreal resonates – it echoes – and does