Reviews

“There is no more urgent a task for humanity than more fully knowing one another. In our time we are witnessing the betrayal of the Kurds. A betrayal that would not have happened if the world knew them as intimately as we know our own. This desperate gift is what comes our way from Ava Homa, a brave and brilliant story teller, the first female Kurdish novelist writing in English who shows us, through one family’s story, the stakes faced by 40 million stateless Kurds. Read this book. Raise your voice. We can no longer afford the ‘us and them’ mentality if we are to survive.”

 

Joy Kogawa author of Obasan 

“Gripping...Cinematic... Daughters of Smoke and Fire is a haunting piece of political fiction and a gut-punch tale of an alienated Kurdish girl swimming upstream against a tide of sexism and ethnic hatred. The scars Homa bears as a Kurdish feminist reared under Iranian rule and living now in the ‘cruelty of exile’ are evident on every page.”

 

Kevin McKiernan, author and award-winning documentary filmmaker of Good Kurds, Bad Kurds

“At a time when the Kurds are so much in the news in Iraq and Syria, the Iranian government has erected a wall of silence around its own much larger Kurdish population. This magnificent novel penetrates that wall with its story of coming of age, oppression, and death. Beautifully written, it is the best new work of fiction to emerge from the Near East in a long time.”

Ambassador Peter W. Galbraith, author of The End of Iraq

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"Ava Homa is Canada’s exquisite answer to Raymond Carver. Homa announces new beginnings—less irony, more hope—and from a breathtakingly multicultural and international perspective. Readers will experience awe and beauty at the force of Homa’s art to convey female Iranian protagonists wholeheartedly grasping their lives. A taut and subtle plain-spokenness enlivens her writing, belying rich dramatic tensions that build just beneath the surface—which will surprise readers and then  captivate them." 

 
--Louis Cabri, author of Posh Lust

"Ranging across regions, ethnicities, genders, sexualities and political dispositions, Homa’s characters give us a prismatic portrait of Iran that resists both internal tyrannies and Western demonization. Her style is elegantly spare, gem-solid. This is a voice we all need to hear."


Susan Holbrook, author of Throaty Wipes

“Homa uses very tight, descriptive prose that takes us right into the moment of the story. She describes sights, smells, textures and sounds, as well as emotions, disagreements and passions that cut deeply to the heart of knowing her characters from the inside. She does this with an almost painful honesty, a striking truth and vulnerability that cannot be dismissed or ignored.” 


—Black Coffee Poet 

“Subtle and powerful, haunting the reader with the silence between the words.” 
Carole Giangrande, author of The Tender Birds

"Fine stories, subtle and evocative, disturbing in their impact."

 M G Vassanji, author of Nostalgia

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